Saturday, September 5th, 2026
Queensryche
Cannery Casino Hotel "The Club"
Queensrÿche’s evolution from their early 1980s metal beginnings to the present day reads like a masterclass in artistic growth! They rose quickly with a sound that blended heavy-metal precision, power‑metal fire, and the atmospheric ambition that would make them pioneers of progressive metal. Through the decades, the band kept pushing boundaries, refining their craft, and expanding their musical reach.
Then came June 2012 — a turning point that felt less like a shake‑up and more like a rebirth. Todd La Torre stepped in and immediately reignited the band’s signature energy, bringing a fresh spark that lit up both studio and stage. Queensrÿche stands today as a revitalized, battle‑ready band, one that honors its legacy while hitting the modern era with renewed strength and unmistakable purpose!
Saturday night, Queensrÿche stormed The Club stage inside the Cannery Casino Hotel and took no hostages, firing off a set of over 90 minutes that hit the room like a precision‑guided missile!
Queensrÿche hit the Cannery like a detonation, blasting through swirling lights, rolling smoke, and arena‑grade sound. It was a totally awesome experience!
The band erupted like a sonic boom, sending metal shrapnel across the crowd as they launched straight into "Queen of the Reich". They kept the adrenaline spiking with "Operation Mindcrime", "Walk In The Shadows", "Speak", "I Don't Believe In Love", "Best I Can", and "Warning". Before Todd threw the switch and blasted the house lights back on, he leaned into this easy, laid‑back moment with the crowd, a full showroom of diehards packed tight into The Club. He wasn’t “addressing an audience”; he was talking with old friends, thanking everyone for showing up and hitting the night with the kind of energy only Las Vegas fans bring. It felt like one of those catch‑ups you fall into with people you haven’t seen in a while — warm, familiar, and real.
Those few minutes felt like the calm before the next detonation — a rare, quiet pocket in the night where the band caught their breath and the room held still. It wasn’t long, just enough time for Queensrÿche to reset, reload, and let the adrenaline settle for half a heartbeat.
And when they kicked back in, it was obvious that breather didn’t slow them down; it supercharged them. Their internal metal meter wasn’t just back in the green; it was pegged past 100%, redlining like a machine built to run hotter than physics should allow!
Queensrÿche came out swinging like a trained MMA fighter with a score to settle, blasting into the set with "Neue Regel", "Behind the Walls"," Take Hold of the Flame", and "Silent Lucidity". By then, The Club wasn’t just packed — it was alive, every voice locked in, every fan singing every word like they were right up there onstage with the band.
Then came the next barrage: "Jet City Woman", "Screaming in Digital", and "Anarchy X" — each one hitting with the force of a flaming meteor slamming straight into the Las Vegas Strip.
Another quick breather followed, just long enough for Todd to introduce the band and share a moment with the fans packed into the Club. Then Queensrÿche fired off the final salvo: "Revolution Calling", "Empire", and the night‑ending knockout punch, "Eyes of a Stranger".
As for my review grade?
Queensrÿche closed out the night like a band dead‑set on proving why they’re still one of the most lethal forces in metal. Every member was firing at peak power — razor‑sharp guitars slicing through the room, bass lines rumbling like underground Vegas thunder, drums hitting with the precision of a seasoned prizefighter, and Todd’s vocals soaring, snarling, and commanding every inch of The Club. The lighting rig blasted the stage in waves of neon fire, smoke curled around the band like a living creature, and the sound system punched with arena‑level force that felt impossible for a club room to contain.
It wasn’t just a concert — it was a full‑scale metal storm, a night where every song landed like a meteor strike and every moment reminded you why Queensrÿche still owns any stage they step onto.
I walked in as a classic rock writer…
I walked out a full-blown metalhead.
Gary England
Brought to you by Boyd Gaming